I'm pretty sure you've noticed, as I have, that one is constantly either having to get something in a row:
Something in gear:
Sometimes one has to do both. That would be the case here at the moment. Why, you may wonder? Because I've been offered a contract for two books, historicals this time around.
So how am I doing? Okay, I think. The ducks are behaving as well as ducks are able and the gears are on the high side of rusty but turning. I think we're getting there. I'm at least in the "emotional zones" of the characters, which means they've gotten the cobwebs out of their hair, the dust beaten out of their costumes, and they are up and around and breathing. Now comes the hard part: What am I going to do to them? HOW am I going to run them up a tree and then throw rocks at them? (To quote a writer whose face and kind mentoring I remember well but whose name, regretfully, I do not.) It's very helpful advice if you want to be a genre writer. The problem, of course, is that it's hard. I know this comes as a surprise to many, but it is, especially if you want to use the writing style I use: Logical, Linear, Lean -- and still put the reader firmly into a "And then what happened?" mindset . No, really. It's hard. Hard, hard, HARD. I know this because I wouldn't stagger around the house looking like Munch's "The Scream" if it wasn't.
So. I'll give you progress reports, and here's the first:
I'm a couple of pages into Chapter Two of Not Yet Titled Book Number One.
Until next time...
2 comments:
It's all so exciting, though, Cheryl, and the whole clean page thing (okay, I know we don't REALLY use pages anymore) is such fun. I can't wait to see what you come up with.
Thanks, Liz. And you're right. The blank page is exciting, and scary, and full of promise, all at the same time. There's nothing else like it.
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